very happy to have been invited to contribute to a very first issue of a new wonderful literary journal, the Nulla, in San Francisco co-founded and edited by the wonderful writer Laura Schadler and Alex Dezen.
essay published
essay, (Re)turning, a Practice of Attention published in Malmø Art Academy’s Yearbook 23-24. Edited by Karin Hald. Designed by Marte Meling Enoksen
reading
at South London gallery with CA Conrad, 27.11.24 - book your place.
residency in Athens, DIA
part of November I will be working at the Danish Institute, Athens. Upstairs from where I used to live in Neos Kosmos through the pandemic. Happy to be back. (image from DIA’s website)
film commission
I am invited to make a film work for Ghost Coast Choir’s new album Eternal City. I worked with the composition, Soil in The Ground. Listening session at Cinemateket 22.10.24, where the film will premiere and you can hear the new album along with other film works by Esben Sloth and Lasse Wernblad. Officiel release 25.10.24.
Opening graduation show 21. May, 5-8pm, Inter Arts Center, Malmø
I’m graduating from two years of hard work on the MFA in Artistic Research at Malmø Art Academy.
Press release:
(Re)turning
/a practice of attention
Line Kallmayer attends to the question of how something begins, how something comes into form. Is this even a viable question? (Re)turning to when she first “picked up a camera,” she muses over the role of the “lens” and some old material tucked away under her old bed at her mother’s house.
(Re)turning is a first step into a longer investigation on the concept and mechanics of Attention, approaching a preliminary question from within a series of probes, initiated as part of her work on the MFA program in Artistic Research.
Line Kallmayer uses writing as a tool to reflect on a lens-based practice, which is essentially at the core: engaging with, (re)working narrative structures explored over longer periods of research, attempting to push and exploring the borders of language, of our imagination. With that gesture she tries to approach and make sense of an ever-changing context wherein images and our relationship to images reside –where stories are written and told.
(re)turning, video projection (23:13) on plexiglass screen. Collection of objects on floor. Video on monitor (5:32), mother’s bedroom (archival work, 2007). Polaroid print on glass plate.
show open at Eksrummet.
SO ALL THIS REALLY DOES EXIST!
EKS_RUMMET
16-25NOV_23
Anna’s voice: audio 40 min via headphones, day bed, table, lamp, watch, obsidian rock, tissues, shoes, curtain
first photograph of Acropolis, Athens
Joseph-Philibert Gireault de Prangey, 1842
print on paper
A disturbance memory on the Acropolis
copy of letter by Sigmund Freud, 1936, to R. Rolland, Freud Archive
(+English translation on wall)
woman in chair
metro platform, Neos Kosmos
Anna’s stairway
Anna’s hallway
printed photographs on paper
flowers behind glass and grandfather’s crucifix
dried and pressed flowers in glass frame, crucifix
private view 16th of November 4-6pm, EKS-RUMMET, Copenhagen
PRESS RELEASE:
So all this really does exist!
Offering a glimpse into an artistic practice, a work-in-progress, at EKS-RUMMET from November 16th to 25th, Line Kallmayer unveils a new piece rooted in the fictive/performative text, "I AM ANNA." This text was composed during the pandemic in Athens in 2020-21 and delves into, among other subjects, a letter authored by Sigmund Freud in 1936. In this letter, Freud recounts his visit to the Acropolis in 1904 and his purported exclamation: "So all this really does exist!" as he surveyed the city below.
"I AM ANNA" provides a voice to the therapist Anna, who lives in Athens. We follow her work with a client who is struggling with the idea that something should happen. "We should go deeper," the client urges, but Anna remains mostly silent. In fact, she scarcely speaks, and it feels brutal for the client who comes and goes, finding herself rambling on while she sneaks past police patrols in Athens during lockdown. Anna is also visited by an enigmatic new client, Arabella, whose late husband appears to haunt the consultation room.
During your visit to EKS-RUMMET, you can listen to Anna's voice, captured and interpreted by actress Freya Miller. The room also showcases various items, along with a replica of Freud's original letter.
This work explores the performativity of language—how we appear and, potentially, disappear. Using the analytical room as both a stage and a screen, the piece reflects a dialectic space, investigating notions of the self and the gaze—a form of memory disturbance, if you will. It is about shaping the unseen, unexpressed connections between people, subjects and objects, and exploring our comprehension of ourselves in the world.
Line Kallmayer's artistic practice occupies a space between visual art and literature. It encircles and makes use of narrative structures that she explores over longer periods of research. Methodically, she employs techniques borrowed from anthropology, documentarism, and journalism. Her work strives to engage with and make sense of an ever-evolving context where images and our relationship with them lie—and where stories are written and told. She is intrigued by the limits of our imagination: the manner in which we conjure imagery, how we relate to it, and how this imagery communicates with us. Line Kallmayer is a trained visual artist from Goldsmiths, London, and is currently completing an MFA in Artistic Research at Malmø Art Academy.
Freya Miller is a Danish actress living in London. She is trained with East 15 Acting School. She works in TV, film and computer games, but also explores theatre and radio. She won a Voice Arts Award in 2021 (Guggenheim, NYC) and a Telly Award in 2022 and 2023.
Anna’s voice is recorded at SOUND MATTERS CPH.
The exhibition opens Thursday 16. Nov. 4-6pm
at EKS-RUMMET, Prags Boulevard 61, Cph. S.
Drinks will be served.
Other opening hours:
Friday 17. Nov. 2-5pm.
Saturday 18. Nov. 2-5pm
Thursday 23. Nov. 2-5pm
Saturday 25. Nov. 2-5pm
The exhibition is kindly supported by Grosserer L.F. Foghts Fond og Rådet for Visuel Kunst, Københavns Kommune.
CASE NO. 05CR498: FROM NO ONE TO SOMEONE is case study in new book
David Houston Jones, professor at University of Exeter, writes in his newly published book Visual Culture and the Forensic, of my performance lecture Case No. 05CR498: From No One to Someone in which I investigate the photographic impulse of Dennis L. Rader, also known as the BTK killer “The figure which emerges from the unstable ground of the BTK killer, then, is that of the artist-researcher: in her delivery of the lecture-performance, Kallmayer constructs a forum at the interface of the gallery, the university and the archive. In this, Case No. 05CR498 contests and extends understandings of the crime scene and of the legal archive in ways which resonate with many of the artists discussed in this chapter, ironising and subverting the objectification of women as silent artefacts of a ‘dump site’ and reinstalling their agency at the heart of the forensic. In granting precedence to the artist-researcher as speaking subject, the stark knowledge of past violence is critically recontextualised.”
residency in Athens
New text piece
new fiction piece published in THE WHITE REVIEW. Thanks to Francesca Wade for selecting and editing it. xL
SPRING NEWS: residency in Athens, Greece
I will be in residency with SNEHTA in Kypseli, Athens for March and April. More info soon. My stay is supported by THE DANISH ARTS COUNCIL.
group show and publication
Happy to participate in upcoming group show at KH7artspace in Aarhus, Denmark, curated by Kamilla Jørgensen and Tanja Nellemann Kruse. The publication with the same title will be published by Antipyrine and released on the same occasion. Event invitation is here.
new translation
I have translated an excerpt from Flannery O’Connor’s A Prayer Journal for the upcoming issue of the Danish publication Ny Jord published by Forlaget Virkelig, to be released 1.12.19 and out in bookshops 5.12.19.
The full book translation by O’Connor will be published by Forlaget Virkelig in 2020.
group show in London
I am happy to be part of this group exhibition this week in London at Art Hub, opening Thursday 3.10. Unfortunately I cannot be there in person this time around. xLine
A group of 12 artists celebrate 10 years since graduating from Goldsmiths BA Fine Art.
ARTISTS:
Aliceson Carter,
Mi-Young Choi
Liam Fogerty
Justin Hicks
Line Kallmayer
Hanna Lagerlund
Dorothea Magonet
Graham Sayle
Nina Wakeford
Malin Weidenbusch
Stuart Mel Wilson
Na’ama Yuria.
EVENTS:
Artists Talk: Sat 05 Oct / 2PM
Finnisage: Sun 06 Oct / 4-6PM
Sunday reading in Copenhagen June 9
Join us for a reading session June 9 at Sorte Firkant, curated by Steven Zultanski and Ed Atkins.
on Ten Days with an Exorcist
new publication Artistic Reconfigurations of Rome (Brill publishing) just out by scholar Kaspar Thormod features a chapter and analysis of my book Ten Days with an Exorcist from 2013.
new publication
At a Party, excerpt from new work in progress published in AGNI online.
OPEN STUDIO IN BERLIN 23. AUGUST
showing work in progress and previous book works.
RESIDENCY IN BERLIN
In residency at Künstlerhaus Bethanien, Berlin (DE)